Matthew E. White & Lonnie Holley - Broken Mirror: A Selfie Reflection

Kommt im April. Zwei Stücke kann man jetzt schon hören und die gefallen mir ausgezeichnet.

Zitat

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Broken Mirror: A Selfie Reflection is a timely callout to the power of collaboration, of kindred spirits connecting in crowded rooms. More important, though, is this collision of two profoundly Southern artists, meeting to shed expectations of generation and genre, scene and situation and exchange truth, wisdom, and energy. The real world is more complicated than a pretty digital picture, bowdlerized of blemishes. As Broken Mirror: A Selfie Reflection reminds us, it can be more revelatory and transformative, too.

These racks are balls of energized contemplation, Holley crooning grievances and observations above surrealist grooves so irrepressible and heavy that the words strike with the force of gospel. Holley strolls into “I Cried Space Dust” as if he’s wandered into the On the Corner sessions and offered unsolicited insights on true transcendence. “I’m Not Tripping” is an anthem of self-worth and self-enjoyment for a society mired in self-doubt, the words breaking like light beams through clouds of atomized drums and synths. And Holley begins the title track as a character mindlessly staring into a cell phone, captivated by his own image like Narcissus at water’s edge. Holley ponders the egotism of projection over dizzying keyboards and guitars so jagged they conjure fractured glass. By song’s end, he’s mocking this infrastructure of pandering for likes, jeering us all above a savage bassline that dares you to differ.

Holley and White may seem like unlikely collaborators, divided as they are by decades and disciplines. Holley, 70, first earned attention as a sculptor far removed from the fiefdom of fine art, using society’s detritus to create curious bricolages that ferried deep narratives of ancestral pride, enduring pain, and eternal hope. His music—privately stowed on stacks of cassettes before he released his staggering 2012 debut, Just Before Music, at the age of 62—aired those ideas over extemporaneous pieces for prismatic keyboards. But on Big Inner and Fresh Blood, White, now 38, came into acclaim as one of his generation’s most meticulous songwriters and arrangers. Stretching his assuredly soulful voice like a smile across little symphonies of strings, horns, choirs, and percussive cavalcades, White commanded sounds where Holley seemed to glide inside them.

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Freue mich mit!

40 Jahre 4AD:

Bills & Aches & Blues:

Zitat

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01 Tkay Maidza: “Where Is My Mind?” (Pixies cover)
02 U.S. Girls: “Junkyard” (The Birthday Party cover)
03 Aldous Harding: “Revival” (Deerhunter cover)
04 The Breeders: “Dirt Eaters” (His Name Is Alive cover)
05 Maria Somerville: “Seabird” (Air Miami cover)
06 Tune-Yards: “Cannonball” (The Breeders cover)
07 Spencer.: “Genesis” (Grimes cover)
08 Helado Negro: “Futurism” (Deerhunter cover)
09 Efterklang: “Postal” (Piano Magic cover)
10 Bing & Ruth: “Gigantic” (Pixies cover)
11 Future Islands: “The Moon Is Blue” (Colourbox cover)
12 Jenny Hval: “Sunbathing” (Lush cover)
13 Dry Cleaning: “Oblivion” (Grimes cover)
14 Bradford Cox: “Mountain Battles” (The Breeders cover)
15 SOHN: “Song to the Siren” (Tim Buckley cover)
16 Becky and the Birds: “The Wolves (Act I and II)” (Bon Iver cover)
17 Ex:Re: “Misery Is a Butterfly” (Blonde Redhead cover)
18 Big Thief: “Off You” (The Breeders cover)

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Ich habe da ungelogen zuerst "40 Jahre AfD" gelesen und war sehr erstaunt...

Die Tracklist klingt spannend.

Und das Artwork sieht sehr nach Vaughan Oliver aus. Würde mich interessieren, ob das noch in einem Archiv lag, oder er hier gut zitiert wurde

Paul McCartney hat einigen Künstlern die Songs seines Albums "McCartney III" zur Bearbeitung überlassen.

1. Find My Way (feat. Beck)
2. The Kiss Of Venus (Dominic Fike)
3. Pretty Boys (feat. Khruangbin)
4. Women And Wives (St. Vincent Remix)
5. Deep Down (Blood Orange Remix)
6. Seize The Day (feat. Phoebe Bridgers)
7. Slidin’ (EOB Remix)
8. Long Tailed Winter Bird (Damon Albarn Remix)
9. Lavatory Lil (Josh Homme)
10. When Winter Comes (Anderson .Paak Remix)
11. Deep Deep Feeling (3D RDN Remix)
12. Long Tailed Winter Bird (Idris Elba Remix)

Zitat von Lumich im Beitrag #1099

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40 Jahre 4AD:


Bills & Aches & Blues:

Zitat

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01 Tkay Maidza: “Where Is My Mind?” (Pixies cover)
02 U.S. Girls: “Junkyard” (The Birthday Party cover)
03 Aldous Harding: “Revival” (Deerhunter cover)
04 The Breeders: “Dirt Eaters” (His Name Is Alive cover)
05 Maria Somerville: “Seabird” (Air Miami cover)
06 Tune-Yards: “Cannonball” (The Breeders cover)
07 Spencer.: “Genesis” (Grimes cover)
08 Helado Negro: “Futurism” (Deerhunter cover)
09 Efterklang: “Postal” (Piano Magic cover)
10 Bing & Ruth: “Gigantic” (Pixies cover)
11 Future Islands: “The Moon Is Blue” (Colourbox cover)
12 Jenny Hval: “Sunbathing” (Lush cover)
13 Dry Cleaning: “Oblivion” (Grimes cover)
14 Bradford Cox: “Mountain Battles” (The Breeders cover)
15 SOHN: “Song to the Siren” (Tim Buckley cover)
16 Becky and the Birds: “The Wolves (Act I and II)” (Bon Iver cover)
17 Ex:Re: “Misery Is a Butterfly” (Blonde Redhead cover)
18 Big Thief: “Off You” (The Breeders cover)

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Trotz geschmackvollen Artworks wird es für mich die Download-Version werden, um gleich Future Islands und Sohn löschen zu können.

Das Debüt der Gruppe Dry Cleaning. Noch gute 3 Wochen.

oh, da freu ich mich mit. aber 3 wochen ....

Ich sehne das auch herbei. Hach, der Gesang von Florence Shaw ...

Zitat von McDermott im Beitrag #1105

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Das Debüt der Gruppe Dry Cleaning. Noch gute 3 Wochen.

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hihi, "gesang"